Well, it’s official. We’re now on the “downward slope” of NaPoWriMo!

Our featured participant today is Eramosa River Journal, where the poetry-addressing poem for Day 15 is written using poetry refrigerator magnets! I love the resulting visual playfulness of the poem, as well as its rather clever use of refrigerator-based metaphors.

Today’s poetry resource is Jacket2, an online compendium of reviews, critical essays, podcasts, interviews, and more. Smart people saying smart things about smart poems and poets. If you’re feeling a bit half-hearted and down, spend some time with Jacket2, and you will emerge refreshed and reinvigorated. People do care about poetry!

And now for our (as always, optional) prompt! Today, I challenge you to write in the form known as the terzanelle. A hybrid of the villanelle and terza rima, terzanelles consist of five three-line stanzas and a concluding quatrain. Lines and rhymes are chained throughout the poem, so that the middle line of each triplet is repeated as the last line of the following triplet (or, for the last triplet, in the concluding quatrain). The pattern goes like this:
ABA
bCB
cDC
dED
eFE
fAFA or fFAA.

You can use any meter or line length, though you may want to try to have all of your lines in the same meter! (And you can always fall back on that old favorite, iambic pentameter). Here are two example terzanelles to give you a sense of what the form looks like in action:

Terzanelle: Manzanar Riot

This is a poem with missing details,
of ground gouging each barrack’s windowpane,
sand crystals falling with powder and shale,

where silence and shame make adults insane.
This is about a midnight of searchlights,
of ground gouging each barrack’s windowpane,

of syrup on rice and a cook’s big fight.
This is the night of Manzanar’s riot.
This is about a midnight of searchlights,

a swift moon and a voice shouting, Quiet!
where the revolving searchlight is the moon.
This is the night of Manzanar’s riot,

windstorm of people, rifle powder fumes,
children wiping their eyes clean of debris,
where the revolving searchlight is the moon,

and children line still to use the latrines.
This is a poem with missing details,
children wiping their eyes clean of debris—
sand crystals falling with powder and shale.

— Claire Kageyama-Ramakrishnan

Terzanelle in Thunderweather

This is the moment when shadows gather
under the elms, the cornices and eaves.
This is the center of thunderweather.

The birds are quiet among these white leaves
where wind stutters, starts, then moves steadily
under the elms, the cornices, and eaves–

these are our voices speaking guardedly
about the sky, of the sheets of lightning
where wind stutters, starts, then moves steadily

into our lungs, across our lips, tightening
our throats. Our eyes are speaking in the dark
about the sky, of the sheets of lightening

that illuminate moments. In the stark
shades we inhibit, there are no words for
our throats. Our eyes are speaking in the dark

of things we cannot say, cannot ignore.
This is the moment when shadows gather,
shades we inhibit. There are no words, for
this is the center of thunderweather.

— Lewis Turco

 
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