Day Eight

Best wishes for a happy Tuesday, everyone, and a great eighth day of Na/GloPoWriMo.

Our featured participant today is Lady in Read Writes, where the response to Day Seven’s challenge to write about why you are not a particular piece of art brings me back to my own high school days (I actually had The Raven fully memorized back then, and can still recite large chunks of it. A good way to pass the time if you’re waiting at a bus stop . . . ).

Today’s featured resource is a bit silly: it’s the Museum of Bad Art. Now, bad art – like good – is in the eye of the beholder, and I rather like some of the paintings in the museum’s whimsical collection.

And now here’s today’s totally optional prompt!

The ghazal (pronounced kind of like “huzzle,” with a particularly husky “h” at the beginning) is a form that originates in Arabic poetry, and is often used for love poems. Ghazals commonly consist of five to fifteen couplets that are independent from each other but are nonetheless linked abstractly in their theme; and more concretely by their form. And what is that form? In English ghazals, the usual constraints are that:

• the lines all have to be of around the same length (though formal meter/syllable-counts are not employed); and
• both lines of the first couplet end on the same word or words, which then form a refrain that is echoed at the end of each succeeding couplet.

Another aspect of the traditional ghazal form that has become popular in English is having the poet’s own name (or a reference to the poet – like a nickname) appear in the final couplet.

Want an example? Try Patricia Smith’s “Hip-Hop Ghazal.”

Now try writing your own ghazal that takes the form of a love song – however you want to define that. Observe the conventions of the repeated word, including your own name (or a reference to yourself) and having the stanzas present independent thoughts along a single theme – a meditation, not a story.

Happy writing!