Day Sixteen

Happy Wednesday, all. We hope you’re having a fine beginning to the second half of April.

Our featured participant today is A Rhyme a Day, where the MC5/Jane Kenyon-inspired poem for Day Fifteen packs a lot of punch into six short lines.

Today’s resource is the Museum of Photographic Art, which is part of the San Diego Museum of Art. Through the museum’s online collection, you can explore a number of current and past exhibitions, including a series of portraits by Bern Schwartz (I rather like the one of Ralph Ellison) and a group of very painterly compositions by Lynn G. Fayman.

And now for our optional prompt! The Kay-Ryan-inspired prompt for Day Fourteen asked you to take inspiration from the sounds of the natural world. Today’s prompt twists that idea around a bit. Start by taking a look at this poem by James Schuyler.

FAURÉ’S SECOND PIANO QUARTET

On a day like this the rain comes
down in fat and random drops among
the ailanthus leaves—“the tree
of Heaven”—the leaves that on moon-
lit nights shimmer black and blade-
shaped at this third-floor window.
And there are bunches of small green
knobs, buds, crowded together. The
rapid music fills in the spaces of
the leaves. And the piano comes in,
like an extra heartbeat, dangerous
and lovely. Slower now, less like
the leaves, more like the rain which
almost isn’t rain, more like thawed-
out hail. All this beauty in the
mess of this small apartment on
West Twentieth in Chelsea, New York.
Slowly the notes pour out, slowly,
more slowly still, fat rain falls.

Like Kay Ryan’s poem, this one invites us to imagine music in the context of a place, but more along the lines of a soundtrack laid on top of the location, rather than just natural sounds. Today, try writing a poem that similarly imposes a particular song on a place. Describe the interaction between the place and the music using references to a plant and, if possible, incorporate a quotation – bonus points for using a piece of everyday, overheard language.

Happy writing!